Film credits from japanese movie companies :
Daiei 大映, Shin Touhou 新東宝, Touei 東映, Touhou 東宝, Nikkatsu 日活, Shouchiku 松竹
Chinito film
(Source: menayet12)
Film credits from japanese movie companies :
Daiei 大映, Shin Touhou 新東宝, Touei 東映, Touhou 東宝, Nikkatsu 日活, Shouchiku 松竹
Chinito film
(Source: menayet12)
“This music deserves more than half-ass wharf front packaging, and it deserves real liner notes, or a boxed set…The label, in its prime, offered rock that is somehow responsible for your taste at this moment."
We are pleased to offer a long overdue first time appearance here at Fuckin’ Record Reviews for…
THE CIMARRON WEEKEND #00006 1998 (page 17)
MINUTEMEN comp review and SST slag by ANDREW EARLES, Co-Editor (with David Dunlap Jr.)
- Didja know? Andrew Earles (regular contributor to still-single) has a book coming out this week called Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996 on Voyageur/Quayside (2104)!
- We wonder every time we read the title, is this Earles guy fucking crazy? Does he not realize how such a tome has the potential to rend the subculture into pieces? There will be blood in the streets! Now Playing brothers and sisters will turn against one another in heinous acts of one one-upmanship and posting bloodlust. Oh Andrew, what have ye wrought?
- (Best be some Homestead era VOLCANO SUNS records on that list.)
From the Voyageur/Quayside site: The ultimate guide to one of the most revered periods and movements in American rock history. In Gimme Indie Rock, music journalist Andrew Earles describes 500 essential indie-rock albums released by 308 bands and artists from coast to coast in markets large and small. From giants of the movement (Black Flag, the Minutemen, Mission of Burma, Fugazi, Superchunk, Melvins, Dead Kennedys, Minor Threat, Hüsker Dü, the Replacements, Sonic Youth, Mudhoney, Dinosaur Jr., Big Black, the Pixies), to more obscure bands which nonetheless made their own impacts (Jesus Lizard, Cows, Low, Mercury Rev, Polvo, Squirrel Bait, Karp, Bongwater, Naked Raygun, Sun City Girls, and many others) and scores of artists who still await their proper due (Fly Ashtray, Dumptruck, Truly, Man-Sized Action, Steel Pole Bathtub, godheadSilo, Sorry, Team Dresch, Further, Grifters, World of Pooh, Trumans Water, Malignus Youth, Eggs, and many more), Earles provides an exhaustive album guide to the era. Earles also features those bands that cut their teeth on the indie circuit but graduated to a greater degree of mainstream recognition in the late 1980s and early 1990s (acts like R.E.M., Soul Asylum, Urge Overkill, Hole, Smashing Pumpkins, and Nirvana), making Gimme Indie Rock the definitive manual for the best of American indie music made between 1981 and 1996.
- Compliment & Complaints Department: Andrew Earles, Memphis, Tennessee
- Unfortunately for all of us, SST has not gotten it together during the intervening years to give these records a proper reissue and everyone seems to think Ginn is a paranoid, obstructionist bad guy (at best). Don’t take our word for it though, have a look at this Brooklyn Vegan article. Seriously. Comments too. Seriously.
- Despite whatever issues outsiders and insiders believe Greg to have, he has issued forth music from his post-Gone bands Bias, Confront James, El Bad, Elevator, Get Me High, Good For You, The Taylor Texas Corrugators, Hor Jambang, Mojack and The Perfect Rat. More are listed at Wikipedia, but the could be fakes. If anyone has heard records from these groups and would like to write an honest overview, please get in touch with Andrew.
(via jimhaku)
